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The plot itself—ambitious middle-class black man struggles with what it means to be “authentically black”—could be adapted from Obama's biography. But there's nothing heavy-handedly relevant about this rock musical in the spirit of Spring Awakening (with which it shares an amazing set designer). In fact, it's a blast. Stew, the Negro Problem band member who co-created and narrates the show, leaves plenty of room for rock riffs and loose-limbed forays into various musical styles. It's likely to be even more impressive on this big Broadway stage than it was last year at the Public, when Jeremy McCarter celebrated “the easy pleasure of a show that doesn’t feel the need to explain itself.”
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